Tuesday, October 16, 2012

Interview with Mary Cavallaro


Recently, I had the pleasure to sit down with recognized entertainment lawyer, Mary Cavallaro. We spoke in detail about the legal side of the entertainment industry, and some of Mary’s past experiences. Mary Cavallaro graduated from Villanova University School of Law in 1993, and began her law career as a national representative and a member for staff council for the American Federation of Television and Radio Arts (AFTRA). By 2006, Cavallaro was a partner at Montgomery, McCracken, Walker & Rhoads, a law firm that provides representation to broadcast media talent and other media and creative professionals. For the past two years, Cavallaro has worked as the Assistant National Executive Director, News and Broadcast for the screen actor’s guild, AFTRA. Currently, she lives in Berwyn, Pennsylvania with her husband and two children.

Miss Music Video: When did you decide you wanted to go into law?

Mary Cavallaro: “I decided to go into law when I was in college. Around my first semester freshman year, I was studying as a biological engineering major and decided to switch majors.”

MMV: Did you always know you wanted to be an entertainment lawyer?

MC: “Everything happened all at once. I enjoyed critical thinking and doing research to back up arguments. And because I was studying for my undergraduate degree at USC (University of Southern California), I was around film students. I took an introduction to film course and quickly became interested in the arts. It was a very natural process.”

MMV: What’s your favorite part about working in the entertainment industry?

MC: “I love that I can use my law degree to help creative people. Most lawyers don’t see clients and get to interactive with them on a daily basis. Most lawyers are very technical. The entertainment industry is very much about the people and the connections you make along the way. Working in this particular industry is very rewarding because I get to spend my days with very creative people.”

MMV:  What’s the hardest thing about being an entertainment lawyer?

MC: “It’s the hardest when I hear about someone losing their jobs. My job is to make sure my client’s jobs are secure. It’s hard when I hear about a [radio] station firing six different people, or an anchor being fired after only 30 days on air.”

MMV: What was it like working for Montgomery, McCracken, Walker, & Rhoads?

MC: “It was very interesting. A decent sized firm of about 200 attorneys with a variety of backgrounds. While working there I represented creative professionals, but I also worked with intellectual property, contracts, and labor. I was able to learn different aspects relevant to the entertainment industry. While working there my work changed day to day. I would spend a lot of days on the phone negotiating contracts, for long hours that when I got home I wouldn’t want to talk anyone. A lot of it was going over contract language, essentially trying to get the best deals for my client’s. On the production side, I would meet with distributors to make sure they were telling the client’s story right, especially with reality television. It was a lot of contract review and handholding. Client’s were looking to me for communication and to help them get through the difficult times.”

MMV: What does your average day look like today?

“Well the first thing I do in the morning is read my emails. I am responsible for the screen actor’s guild for AFTRA, so I oversee staff of 30 people who are negotiating contracts all over the country. I help address the issues in the contracts to make sure there is uniformity. My main duties are reviewing labor agreements, personal service contracts under personal agreements and make sure they are satisfactory, all while managing a staff.”

MMV: Sounds like quite the change from Montgomery, McCracken, Walker, & Rhoads, is there a lifestyle you prefer more?

MC: “Honestly, there isn’t really a preference. At my current job I get to set the standard for a large group and set the bar line so we can get more from a deal rather than less. It is very rewarding working so closely with a team, but not more rewarding than my previous experiences. I love my job.”

MMV: Okay final question. What is the weirdest case you have ever worked on?

MC: “Hmm… I’ve had so many that it’s hard to think of one that really stands out. Let me preface this story with saying that so many people are trying to get into the entertainment industry, and employers tend to take advantage of that fact. Many employers will treat their employees less than satisfactory, and employee’s deal with it because they know it’s a tough industry. I had one client who was a broadcast journalist on maternity leave, but her boss kept calling her to come into work. She had a couple weeks left to stay home to lose the baby weight before returning to work. A few days later my client came across help wanted ads for her position, I wont disclose how she found these ads, but basically it was her boss’ way of telling her that she no longer worked for them. Unfortunately for him this violates the family and medical leave act, but like I said employers assume in this industry their employees wont sue because it could tarnish their personal image. Moral of the story, if a woman just had a baby… leave her alone.”

I would like to send a special thanks to Mary Cavallaro for spending time with me and answering my legal questions.